Like his off-screen wife, Freddie Prinze Jr. Gellar, however, is looking more and more emaciated each day, showing her age before her time. She even gets to show of her “thang” in a tight red-leather outfit in the new film. In the past two years, Cardellini has gotten sexier. But the cuter and sexier Linda Cardellini was cast as the bookwormy Velma. Similarly, when “Scooby Doo” came out two years ago, Sarah Michelle Gellar was cast as the sexy Daphne. However, he made up for this sin by casting Elizabeth Perkins as Wilma in one of her sexiest roles to date. However, when Steven “Spielrock” put together “The Flintstones” in 1994, he cast a bloated Rosie O’Donnell as Betty. She was always sexier than the Alice Kramden version of Wilma. Most red-blooded American males always had the hots for Betty. It started with “The Flintstones” almost ten years ago. There seems to be a curse on the female cast members of Hanna-Barbara properties that when they make it to the big screen. Who said that Scooby Doo episodes ever really relied on good plots, anyway. Disgraced, they must track down a mad scientist that has discovered how to make these costume monsters real before it destroys the entire town. When the costumes come to life as real monsters, Scooby and the gang take the blame. are guests at a museum exhibit that features the costumes of all the bad guys they’ve caught in the past. What can I say about the plot, when there really isn’t much to talk about. But this new “Scooby Doo” is a different story. So, I did partake in the guilty pleasure of the first film. I would even consider myself to have been a fan of the show. I watched the cartoons in their many incarnations when I was a child. After all, who didn’t wish that they Mystery Machine would run over the little mutt? Then, having Scrappy Doo turn out to be the villain was an excellent nod to all of us that grew up with Scooby Doo. After all, with modern Hollywood digital effects, this was a breeze. One of the best choices made in its first trip to the big screen was to make the monsters real. The first “Scooby Doo” movie set itself up for failure, but it worked. Who hasn’t referred to the ending of a bad movie as having “a Scooby Doo ending”? But ever since I can remember, they were held up more as the standard for cliches rather than great writing. The old television shows are considered classics by definition of the Cartoon Network. Scooby Doo is not what you would consider a great achievement in the history of American popular culture.
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